Showing posts with label shoes. Show all posts
Showing posts with label shoes. Show all posts
01 July 2014
Dirty White Bucks
Purchased in 1984
They were partly a middle finger to the college establishment who instructed males that graduation dress would be white shirt, dark trousers with black shoes and black robes. I wore a pink shirt, white duck trousers, pink argyle socks and these shoes … 30 years ago.
They were resoled in 1996 and haven't been touched since. The brand is lost to the ages but the wear is honest. 30 Summers and never a season more. That's not so much a rule as a personal code -- It's the same reason I wouldn't intentionally 'distress' them or anything else I own.
Sometimes it's hard being honest... but a man's shoes should never have to lie.
21 February 2013
Brooks Brothers Global Citizen
Brooks Brothers Catalog, Spring, 1990
During the bad old days of Marks & Spencer ownership (1988-2001), Brooks Brothers went through a number of bizarre...lets call them 'schemes.' A word with darker connotations in the US than in the UK. The '90s seemed especially dark and it was hard to tell the difference between the windows of a Banana Republic Store and Brooks Brothers. Thankfully, that has changed.
A Roger Sterling moment with London Club tie
Back in the early '90s, I was hanging my clothes somewhere on the North Shore of Chicago and would frequent a popular Chinese restaurant in Highland Park on Sunday nights. It had the highest concentration of Coogi sweaters I have ever seen. "Not Hot!" was the loud instruction of so many diners that I asked for everything, "Very Hot!" Much to my own detriment a couple hours later.
Brooks Brothers calls their "Golbal Citizen" collection, "Urbane and cosmopolitan." I call it, "Not hot." The company release goes on, "It is the blending of seemingly opposite ideas of luxury-technolgy, dressy-casual and modern-classic that sum up the philosophy behind this season's offerings." Well, I guess that beats my summing it up with a Chinese restaurant.
Miles Davis, "Sketches of Spain." Slim Keith in Madrid. Marcona almonds and ice cold Manzanilla Sherry. Seven and watching a bullfight with my father on a Mexican station in El Paso. I want every woman I know to buy this.
A TV anchorman suit and tie. Without prejudice -- without character. Matt Lauer comes to mind in ice cold Zegna. Thin and neat. Not that there's anything wrong with that. The Trench saves it with wide lapels and a look of old Hollywood. Not '40s Noir but '30s Thin Man. Elegant and full of motion even if it's not moving.
Ice cold but warm in a 20 room apartment on Park. Tiny and anemic, she never serves red wine to her guests. Only white and champagne. The TV in the oak paneled den is going on 20 years and the bookshelves are filled with yellowing jackets faded from sun and the 1970s. Her nail polish is white...when she wears it. Her favorite book is a collection of celebrity dog food recipes.
He wanted a Chesterfield but his wife told him he couldn't have one until he could afford a house with two bathrooms. He bought one anyway and hung it on the back of his office door for a year before she found out. Perfect with evening wear. Sternly confident in a navy or grey suit. Make do classic in jeans, suede paddock boots and a white button down on a business Sunday brunch in London.
Replace the suede paddock boot above with a pebble finish chukka and generate contrast while tweaking the anal retentive 30 year old IT know it all from Schaumberg who tells you to wear only black shoes with a Chesterfield. You proudly call it 'pebble' while the youth refer to it as football leather. Or worse, 'awesome football leather.' Equally at home in the First Presbyterian Church on Michigan Ave or under a bible revival tent somewhere in Kentucky where your host is speaking in tongues.
Women always know what hat will look best on them. I don't know how. It's Godlike.
Pretentious B&W that can be salvaged by inclusion on a NYC gallery web site.
After party at the Four Seasons bar in Chicago. She likes Beefeater martinis and tells you she always wanted to do it in a coat room. The simple slit of her dress hides behind her bracelet. No designer names. No expensive watches. She's got a good head on her.
"Camel with fur trim," I tell the coat check girl. Walking towards the lake past the Drake, she stops at an antique store window and points to an 18th century silver creamer, "No one buys silver anymore. I wonder why?" You smile and say, "Things change. Is that Revere?"
During the bad old days of Marks & Spencer ownership (1988-2001), Brooks Brothers went through a number of bizarre...lets call them 'schemes.' A word with darker connotations in the US than in the UK. The '90s seemed especially dark and it was hard to tell the difference between the windows of a Banana Republic Store and Brooks Brothers. Thankfully, that has changed.
A Roger Sterling moment with London Club tie
Back in the early '90s, I was hanging my clothes somewhere on the North Shore of Chicago and would frequent a popular Chinese restaurant in Highland Park on Sunday nights. It had the highest concentration of Coogi sweaters I have ever seen. "Not Hot!" was the loud instruction of so many diners that I asked for everything, "Very Hot!" Much to my own detriment a couple hours later.
Brooks Brothers calls their "Golbal Citizen" collection, "Urbane and cosmopolitan." I call it, "Not hot." The company release goes on, "It is the blending of seemingly opposite ideas of luxury-technolgy, dressy-casual and modern-classic that sum up the philosophy behind this season's offerings." Well, I guess that beats my summing it up with a Chinese restaurant.
Miles Davis, "Sketches of Spain." Slim Keith in Madrid. Marcona almonds and ice cold Manzanilla Sherry. Seven and watching a bullfight with my father on a Mexican station in El Paso. I want every woman I know to buy this.
A TV anchorman suit and tie. Without prejudice -- without character. Matt Lauer comes to mind in ice cold Zegna. Thin and neat. Not that there's anything wrong with that. The Trench saves it with wide lapels and a look of old Hollywood. Not '40s Noir but '30s Thin Man. Elegant and full of motion even if it's not moving.
Ice cold but warm in a 20 room apartment on Park. Tiny and anemic, she never serves red wine to her guests. Only white and champagne. The TV in the oak paneled den is going on 20 years and the bookshelves are filled with yellowing jackets faded from sun and the 1970s. Her nail polish is white...when she wears it. Her favorite book is a collection of celebrity dog food recipes.
He wanted a Chesterfield but his wife told him he couldn't have one until he could afford a house with two bathrooms. He bought one anyway and hung it on the back of his office door for a year before she found out. Perfect with evening wear. Sternly confident in a navy or grey suit. Make do classic in jeans, suede paddock boots and a white button down on a business Sunday brunch in London.
Replace the suede paddock boot above with a pebble finish chukka and generate contrast while tweaking the anal retentive 30 year old IT know it all from Schaumberg who tells you to wear only black shoes with a Chesterfield. You proudly call it 'pebble' while the youth refer to it as football leather. Or worse, 'awesome football leather.' Equally at home in the First Presbyterian Church on Michigan Ave or under a bible revival tent somewhere in Kentucky where your host is speaking in tongues.
Women always know what hat will look best on them. I don't know how. It's Godlike.
Pretentious B&W that can be salvaged by inclusion on a NYC gallery web site.
After party at the Four Seasons bar in Chicago. She likes Beefeater martinis and tells you she always wanted to do it in a coat room. The simple slit of her dress hides behind her bracelet. No designer names. No expensive watches. She's got a good head on her.
"Camel with fur trim," I tell the coat check girl. Walking towards the lake past the Drake, she stops at an antique store window and points to an 18th century silver creamer, "No one buys silver anymore. I wonder why?" You smile and say, "Things change. Is that Revere?"
Labels:
Accessories,
Brooks Brothers,
Chicago,
Fashion Week,
NYC,
Outerwear,
shoes,
suits
12 July 2012
Contradian London: Shoe Porn & Touching Myself
Ten years ago, John Carnera of George Cleverley gave me a tour and an hour of his shop's time knowing full well I couldn't afford his shoes. It was obvious John was proud of his shop, it's history and that they were still making a shoe in London and not India like so many in Northampt... Never mind. Lets keep it positive today.
I have a pair of Cleverely designed side gusseted shoes from Poulsen and Skone. Hands down the most comfortable and attractive shoes I've ever owned save those Monk Chukkas by French Shriner in 9th grade. For me, the Cleverley last is far more attractive than the stubby John Lobb and lighter as well.
John shows me a book of GC archival images. I suggest they publish something for poor guys. Like me, in love with the company but too poor to foot the tab. I call it shoe porn. John, having never heard the expression before, laughs and shakes his head. He hands me this catalog (click images to enlarge), "Well, here's some shoe porn for you." I thank John and ask if he has a loo. He tells me it's not for the public. I tell John what I have to do isn't public either.
I love myself
I want you to love me
When I'm feelin' down
I want you above me
I search myself
I want you to find me
I forget myself
I want you to remind me

I don't want anybody else
When I think about you
I touch myself
I don't want anybody else
Oh no, oh no, oh no
When I think about you
I touch myself
I don't want anybody else
Oh no, oh no, oh no

You're the one who makes me come running
You're the sun who makes me shine
When you're around I'm always laughing
I want to make you mine
I close my eyes
And see you before me
Think I would die
If you were to ignore me
A fool could see
Just how much I adore you
I get down on my knees
I'd do anything for you

I don't want anybody else
When I think about you
I touch myself
I don't want anybody else
Oh no, oh no, oh no

I love myself
I want you to love me
When I'm feelin' down
I want you above me
I search myself
I want you to find me
I forget myself
I want you to remind me

I don't want anybody else
When I think about you
I touch myself
I don't want anybody else
Oh no, oh no, oh no

I want you
I don't want anybody else
And when I think about you
I touch myself
Ooh, oooh, oo-oooh, aaaaaah

I don't want anybody else
When I think about you
I touch myself
I don't want anybody else
When I think about you I touch myself
I touch myself, I touch myself, I touch myself,
I touch myself, I touch myself, I touch myself,
I touch myself, I honestly do, I touch myself...
Christina Amphlett & Divinyls (1991)
When I think about you
I touch myself
I don't want anybody else
When I think about you I touch myself
I touch myself, I touch myself, I touch myself,
I touch myself, I touch myself, I touch myself,
I touch myself, I honestly do, I touch myself...
Christina Amphlett & Divinyls (1991)

Can I get myself in trouble if I touch myself without protection?
Labels:
Contradian London,
ephemera,
George Cleverley,
London,
Music,
shoes
29 May 2012
26 April 2012
White Bucks - Black Robes


Flagler College, St Augustine, FL - 1981I was a work grant student in the college PR department. Freshman year I photographed the graduation ceremony above. I graduated in 1984 but no one took a picture of me. I always thought it had to do with my white bucks.
Shortly before graduation, a memo was sent to seniors with instructions for what to wear with black robes. For men, it was dark colored pants and dark or black shoes. I wore white trousers and white bucks.
I remember thinking, "What are they gonna do? Take the dashes out of my social security number. Happy graduation. Special dispensation for white buck wearing prior to Memorial Day.
27 March 2012
Separated by History: Brian Keith & Nick Wooster
Florsheim by Duckie Brown: For the Man Who CaresI was thinking how much Nick Wooster reminds me of Brian Keith's, Uncle Bill on Family Affair. Give Nick's hair a part, shave the beard, cover the tattoos and bingo... you couldn't tell 'em apart. And if Jody were rooting around Uncle Nick's closet -- these are the wingtips he would find.
Times certainly change. No telling what Mr French would think.
Labels:
Florsheim,
Separated By History,
shoes,
The Booger Vault
16 February 2012
15 February 2012
07 December 2011
Probable Maximum Loss: Cole Haan


Esquire Gentleman Magazine, Spring / Summer 1993Probable Maximum Loss or PML is an insurance term I always called the "Ka-Boom" factor. PML is a basic underwriting strategy where an insurance company figures it's total maximum loss in a building, location, region or... shoe maker.
Cole Haan started in Chicago in 1928 and were, by the time I knew them in the '80s, the classic shoe choice. Whether a simple calf tassel loafer (my first post college shoe) or their perfect correspondent in buck and tan calf -- Cole Haan was classic. You didn't wear tassel loafers -- you wore Cole Haan tassel loafers.
In 1993, Cole Haan introduced the venetian loafer you see in the advertisement above. It was a clean looking shoe made in their Maine factory. In 1988, Cole Haan was bought by Nike and shortly afterwards closed their Maine plant and moved all manufacture off shore. How odd that Cole Haan became, if not the first, one of the earliest shoe companies to embrace off shore while leaving pricing the same.
Today, pricing remains high for what you get but design has really suffered as seen here. The plastic injected shoe so commonly associated with Donald Pliner is seen across the Cole Haan line. This may have more to do with the small world of shoe design talent but I think it stems more from what Asian factories are comfortable making. Who knows. I don't pretend to know a lot about making shoes. I do understand Probable Maximum Loss. You know? Ka-Boom!
Labels:
1980s,
Cole Haan,
It Takes A Thief,
shoes,
Vintage Catalogs
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